Testimonials

Randomly chosen testimonials:

Database Key Generation

In several things that I do, I require some form of randomness (for example, secure primary keys for databases, with almost no chance of collision error). To do this, I use your site to create them. A simple generation of numbers between 0 and 35, and then change them into their base-36 equivalent, however long the sequence needs to be, and you have an virtually unguessable primary key sequence. You can’t guess what the next key in the sequence will be. Very useful for keeping people from being able to hack your customer list and finding out who does business with you (they might be able to guess one, but the next won’t be sequential, so they would have to start all over again to find the next). I also use it in my writing, to generate datasets for locations and people by assigning integers to various items and using the site to pick the ones that apply.

—John Anderson

Testing of Audio Equipment

I discovered Random.org due to the New York Times article on random numbers today. I've already downloaded the three pre-packaged 10 MB files and wish there were more of them (at least three more 10 MB files). I'm using them as audio—interpreted as 16-bit WAV files, they form perfect white noise, which has many uses in acoustics and audio-equipment testing, which is my field. Used in pairs, they form perfect, uncorrelated stereo white noise.

I've been able to get more use out of the first three 10 MB files by reversing their byte order (the resulting white noise sounds the same) and by using various other audio-editing tricks like concatenating the files to produce long streams). I've also used 1, 2, 3 or 4 bytes at a time to produce different audio wordlengths. Thanks to the 2's complement number system, this latter scheme is particularly effective for audio since you always get equal distributions of data points above and below zero.

Your files produce better noise than some pseudo-random schemes I've tried, since the latter can produce an audibly detectable cyclic effects in the sound quality if the sequence length is too short. The ear is an extremely good detector of such patterns. A quick-and-dirty one-time-pad scheme would involve Xor-ing your random bytes with the lower bytes of each 16-bit word on a commercial audio CD to produce the random number table. The recipient would only need your file and another copy of the audio CD. To crack it you'd have to search through every data sample on every CD ever released!

—David Ranada, Technical Editor, Sound & Vision Magazine

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